People · sourced chart

Artemisia Gentileschi

Painter · Italy · 1593–1653

Cancer 16.0° · born July 8, 1593
Birth time unknown

Birth date sourced. Birth time unknown.The Moon remained in Scorpio throughout that civil day. Everything below uses only what the complete civil day settles.

The day, read honestly

Cardinal signs carry five of the ten placements whose signs are settled — the broadest certain weighting in the chart. Cardinal weight is read as initiative: the instinct to be the reason something began.

AriesTaurusGeminiCancerLeoVirgoLibraScorpioSagittariusCapricornAquariusPiscesRxRx

Positions at 12:00 civil time in Rome—a reference instant, not a birth time. No houses, rising sign, angles, or sect were computed.

Where the Sun actually stood

The Sun sits at 16.0° Cancer — the second decan, 10°–20°, which the tradition sub-rules by Mars. Degrees matter more than the sign label here: two people born a fortnight apart share Cancer and share almost nothing else about where the Sun actually stood.

Closer to the ground

The personal planets sit Mercury at 25.8° Gemini, Venus at 8.1° Leo, Mars at 13.1° Pisces. Mercury in a air sign reads as a mind at home in argument and pattern; Venus in a fire sign reads as taste that runs toward the vivid and the immediate; Mars in a water sign reads as drive that moves on certainty and current.

The angles that hold

Jupiter to Pluto is the closest call of the day, a square within 0.3°. Right angles are where the scheme puts its grit. A square asks two functions to work in a mode neither would have chosen. Behind it, Venus trine Uranus at 1.2°, and the Sun square Pluto at 1.3° — both still well inside the orbs this site uses. Each angle here was measured at every hour of the civil day and held; whatever the missing clock said, this geometry was in it.

What the angles build

The Sun opposes Jupiter while both square Pluto. The t-square is the figure the old texts trusted for output: friction with a fixed address. The Moon stands apart from every major angle the day held — the tradition reads an unaspected planet as a voice that speaks on its own schedule, unmodulated by the rest of the chart.

The classical map

Of the seven planets the classical scheme judges, four sit in a sign it has an opinion about. The Moon in Scorpio at 20.0° is in fall — the tradition’s uphill placement, strength earned rather than given; Mercury in Gemini at 25.8° is in domicile — the planet in its own sign, running on home rules; Jupiter in Capricorn at 17.6° is in fall; Saturn in Cancer at 28.6° is in detriment — the planet opposite its home, working against the grain. Condition, not character: that is all the dignity table ever measured.

The shape of the whole

The certain ground: 10 placements whose signs hold for the whole day, dividing 4 water, 4 fire, 1 air, 1 earth by element and 5 cardinal, 3 fixed, 2 mutable by mode. Water reads the room before the room speaks — atmosphere first, analysis later. Venus and Jupiter were retrograde — apparent retreat against the stars, which the old reading takes as a function working from the inside first.

The Moon, and how far it can move

The Moon stayed in Scorpio for the whole of that day at the birthplace, covering 12.2° between midnight and midnight. The missing clock moves the Moon by half a sign at most here, and the boundary was never close. At the noon reference it stands at 20.0°.

Where this comes fromSources, revisions, and exactly what this chart assumes
Source article
Artemisia Gentileschi · revision 1363826153
Wikidata
Q212657 · revision 2518485135
Retrieved
2026-07-26T18:47:50.947Z
Birth date
1593-07-08 · day precision · proleptic-gregorian
Birthplace
Rome, Italy · Q220
Coordinates
41.8931, 12.4828 · from Rome
Reference instant
1593-07-08T11:10:04.000Z · noon civil time, not a birth time
Omitted
Rising sign, houses, angles, and sect—all require a birth time.
Unknown-time range
Moon travelled 12.16° · The Moon remained in Scorpio throughout that civil day.
Engine
astronomy-engine (repository dependency) · @zodiacs/engine/internal/math
Portrait
None published · the recorded creator is the subject ("Artemisia Gentileschi"), so the licence holder of this reproduction cannot be credited accurately without separate review

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